Institutions will try to preserve the problem to which they are the solution.
This is along the same lines as the great quote by Nicholas Machiavelli back in the 16th Century:
There is nothing more perilous to conduct, more uncertain in its success, than to take the lead in introducing a new order of things, because the innovator will have for enemies all who have done well under the old conditions, and only lukewarm defenders in those who may do well under the new.
The trouble with challenging institutions is the power they wield to help protect and maintain their position, and the fear, uncertainty and doubt (FUD) they will generate about anything new that threatens their comfortable existence. As being ably demonstrated by the music publishing industry. Those who profited from the old conditions would have everyone believe music creativity is dying because of new conditions created by the Internet (i.e. illegal downloads). Watching the recent music awards on TV (US and UK), there are no such signs. People were creating and performing music long before publishing industry came along and will continue to do so no matter what the financial rewards. It is not creativity that is dying, it is the ability to generate money that is being challenged. And here we are in the UK, facing a hastily written Digital Economy bill aimed at protecting an industry’s distorted revenue model.
It is not the fittest or the strongest of species that survive but the one most adaptable to change. – Darwin
When institutions are able to persuade governments to try and protect their status at any cost, they are using their strength to delay the need to adapt. And that presents a huge risk for everyone, because creating legislation or spending tax to prevent change shows all the signs of an economic system heading towards collapse.
It is not necessary to change. Survival is not mandatory. – W. Edwards Deming
Why do we need music albums? We don’t and we never did. They were invented by the music publishing industry because it is easier to make profits from selling albums than singles. That was possible under the old conditions. It isn’t so easy under the new. But with change brings opportunity. If you are selling albums, you only need to support a few performers and are only interested in the ones that generate easy album sales. Now that I buy mostly singles, I purchase from a far more diverse range of performers, often discovered from hearing or watching them online. Well done iTunes, Spotify and YouTube! No surprise that none were the invention of a music publishing company.
Illegal music downloads are wrong. But focusing on piracy and trying to claim it is damaging creativity when what it is really damaging is abnormal wealth that was only possible under the old conditions is FUD that diverts attention away from the industry’s resistance to change.
[Update: 08 Apr 10] Too funny to not include as an update. Just days after rushing through the Digital Economy Bill without proper debate, the two main political parties are both accused of copyright infringement for not asking permission before using images from a TV series as part of their election posters: Labour and Conservative parties accused of copyright infringement
- Anger about ‘stitch-up’ over Digital Economy Bill – BBC
- Act against the digital economy bill – guardian.co.uk
- Collapse in illegal sharing and boom in streaming – guardian.co.uk
- Spotify now makes record labels money – Telegraph.co.uk
- Apple iTunes: 10 billion songs later – Brainstorm Tech
- America’s Idol: King Cowell Cashes In – Sky News
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